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01/13/2014

History of Photo Compositing 1983 edition

James_Porto_Broccoli2_NYCBack in 1983 before the invention of Photoshop it wasn’t quite as easy for a photographer to illustrate his dreams and visions as it is today.  The process of making the image shown here involved shooting the elements to scale on 4×5 film, mounting each element in position on a sheet of 11×14 exposed, processed Kodalith film (essentially a piece of solid black film) that was punched with pin registration holes, making photographic masks of the city, cutting a frisket by hand and opaquing all the city detail but leaving the edge photographic, and then once all that was prepared, exposing the elements in sequence followed by their masks on Ektachrome 6121 Dupe film, balancing the exposure and color balance of each element.  It’s actually much harder than briefly described here because getting perfect masks and perfect image registration was an art in itself.  The reward was making an image that stood out for its uniqueness in its time.

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01/02/2014

Saints and Sinners at BAU

James_Porto_The_Guardian_2001_Beacon_exhibitThe Guardian, one of the images from the Winged Women series, is on exhibit at Beacon Artists Union in Beacon, NY in a group show titled Saints and Sinners.  The print is a 16″x20″digital archival pigment print in a 20″x24″ frame.  There is a show closing party on Saturday, January 4, 2014 from 6-9pm at BAU gallery, 506 Main Street, Beacon, NY 12508.  Please join us for music, conversation and a great exhibit.

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